10 |
The Pride of Edo (Edo jiman) |
circa 1818-1820 |
[Izzard], 22 |
|
Thoughts reflected in a Mirror (Omoigoto kagami utsushi-e) |
circa 1818-1820 |
[Izzard], 24 |
10 |
Contemporary Manners and the Passing of Time [Starfrost of the Times]
[Contemporary Night-time Customs] (Hoshi no shimo tosei fukozu) |
circa 1818-1821 |
[Frabetti], 118-119
[Izzard], 18
[NarazakiIII], C16 |
|
Eight Famous Views of Edo |
circa 1818-1821 |
[NarazakiIII], C12 |
|
Eight Popular Scenes and Contemporary Women |
circa 1818-1821 |
[NarazakiIII], C13 |
|
An Imaginary Eight Views (Mitate hakkei) |
circa 1820 |
[Izzard], 29 |
|
Twelve Hours of the Clock of the Present Day (Imayo tokei juni toko) |
circa 1820-1822 |
[Izzard], 20 |
21 known |
A Collection of Famous Restaurants of Modern Times (Toji komei kaiseki
zukushi) |
circa 1820-1825 |
[Izzard], 21
[NarazakiIII], C15 |
8 x 3 |
Eight Views of Edo (Edo hakkei) |
circa 1820-1825 |
[Forrer], G267
[Izzard], 25
[VanVleck], pp. 251 |
|
Untitled set of half-length actor prints |
1822 |
[Tinios], C4 |
|
A Contemporary Thirty-Two Types (Tosei sanjuni so) |
circa 1822-1823 |
[Izzard], 27
[NarazakiIII], 11 |
|
Six Famous Rivers with the Name 'Tama' and Six Beauties |
circa 1822-1825 |
[NarazakiIII], C14 |
10 |
Great Performances - Contemporary Pressed-Cloth Battledores (Tosei
oshi-e hagoita atari kyogen no ochi) |
circa 1823 |
[Izzard], 35 |
|
Flower and Bird, Wind and Moon (Kacho-fugetsu) |
circa 1823-1825 |
[Izzard], 28 |
8 known |
Famous Places of Edo (Edo meisho) |
circa 1824-1825 |
[Izzard], 36* |
5 |
A Collection of Famous Places in the Red-Hair [Dutch] Oil-Painting Style
(Komo Abura-e meisho zukushi) |
circa 1824-1825 |
[Izzard], 37 |
|
Untitled series on the twelve months
| mid 1820's |
[Forrer], G263 |
|
Firely Catching - A Lineup of Edo Folk (Hotarugari - Edokko soroi) |
mid 1820's |
[Tinios], C5 |
|
Secret Meetings by Moonlight (Tsuki no kage shinobu yoru) |
mid 1820's to circa 1836-1838 (various dates given) |
[Forrer], G270-274
[Izzard], 73
[Rappard], 133-134
[NarazakiIII], 14 |
|
Different Kinds of Modern Household Rules (Tosei teikin orai) |
1820's |
[VanGogh], 144 |
6 known |
Made to Order in Modern Taste (Oatsurae Toseikonomi) |
1820's |
[Rappard], 135 |
5 |
Drawings in the Red-Hair [Dutch] Oil-Painting Style (Komo Abura-e fu) |
circa 1825 |
[Izzard], 38 |
|
Untitled series on the theme of snow, moon and flowers |
circa 1825 |
[Izzard], 45 |
|
Untitled set of half-length actor prints |
1826 |
[Izzard], 46 |
5 |
Modern Views of Summer (Tosei natsu geshiki) |
circa 1826 |
[Izzard], 41 |
|
A Collection of Modern Beauties (Tosei bijin awase) |
circa 1826 |
[Izzard], 42 |
|
A Collection of Beauties from the Pleasure Quarters (Seiro bijin awase) |
circa 1826 |
[Izzard], 71 |
5 |
Modern Views of Spring (Tosei haru-geshiki) |
circa 1826-1828 |
[Izzard], 40 |
|
Battle Tales of Han and Chu (Kan-So gundan) |
circa 1827 |
[Izzard], 43 |
9 known |
Rumours of Marriage Ties of Couples (Enmusubi Myoto Hyoban) |
late 1820's |
[Rappard], 142 |
|
A Collection of Otsu Prints (Otsue zukishi [Otsue Tsukushi]) |
late 1820's - early 1830's |
[Forrer], G283
[Rappard], 143 |
|
Three Fasionable Tippers (Fuzoku san-nin namayoi) |
circa 1829-1830 |
[Izzard], 63 |
|
Types of the Floating World Seen Through a Physiognomist's Glass
(Ukiyo jinsei tengankyo) |
circa 1830 |
[Izzard], 60 |
|
Untitled set of half-length actor prints |
circa 1830 |
[Tinios], C8 |
|
An Imagined Confrontation of the Three Theatres (San shibai
mitate taimen) |
1832 |
[Tinios], C11 |
10 |
A Collection of Joriri Libretti (Joruri zukushi) |
circa 1832 |
[Izzard], 62 |
10 |
Actors with Six Jewel Faces (Haiyu mutama-gao) |
circa 1832 |
[Izzard], 66 |
10 |
A Competition of Beauties and Celebrated Views of Japan (Honcho fukei
bijin kurabe) |
circa 1832-1834 |
[Izzard], 64 |
|
Untitled series showing actors framed in mirrors |
circa 1833-1834 |
[VanGogh], 169
[Tinios], 1 |
10 |
Untitled group of landscapes |
early 1830's |
[Forrer], G275-276
[Izzard], 65
[Rappard], 140
[VanVleck], pp. 252
[NarazakiIII], C18-19 |
|
The Five Festivals (Gosekku no uchi) |
early 1830's |
[VanGogh], 159 |
|
Annual Observances at Yoshiwara (Yoshiwara nenju gyoji) |
early 1830's |
[VanGogh], 160 |
|
Japanese Version of the 108 Heroes of the Water Margin |
early 1830's |
[NarazakiIII], C6 |
|
Banners for Parlour Decorations (Gohi zashiki nobori no uchi) |
circa 1835-1837 |
[Izzard], 81 |
5 |
Five Brightly Colored Banners(Goku saishiki gohon nobori no uchi) |
circa 1835-1837 |
[Izzard], 82 |
5 known |
Untitled set of half-length actors with their poems |
circa 1836 |
[Izzard], 69 |
|
Sun, Moon and Stars (Jitsugetsusei no uchi) |
mid 1830's |
[Forrer], G284 |
|
Parody on the Eight Views of the Hours of the Yoshiwara (Yoshiwara
tokei nihen mitate hakkei) |
1830's |
[VanGogh], 158 |
|
Parodies on Three Plays (San Shibai Mitate) |
1830's |
[VanGogh], 162 |
|
[Modern Allusions to] The Seven Komachi ([Tosei Mitate] Nana Komachi) |
1830's to early 1840's (various dates given) |
[VanGogh], 164
[Rappard], 152 |
|
Famous Unusual Women from Different Places (Mei-ijo hogaku) |
1830's |
[VanGogh], 167 |
|
Eight Views of Beautiful Women (Bijin hakkei) |
1830's |
[VanGogh], 168 |
|
Fashionable Women of Edo (Tosei Edo suzume) |
1830's |
[VanGogh], 170 |
|
The Imitation Murasaki and the Rustic Genji (Nise Murasaki Inaka Genji) |
1830's |
[VanGogh], 171-172 |
|
Untitled set of half-length actor prints |
1838 |
[Tinios], C10 |
|
The Fifty-Three Stations of the Tokaido (Tokaido gojusan tsugi
no uchi) {"Bijin Tokaido"} |
circa 1838 |
[Izzard], pp. 30
[VanVleck], pp. 252 |
|
The Twelve Hours of Tatsumi (Tatsumi junitoki no uchi) |
circa 1838-1840 |
[Izzard], 74 |
|
Eight Views of Tatsumi [the Licensed Quarters] (Tatsumi hakkei no uchi) |
1830's - early 1840's |
[Forrer], G281
[VanGogh], 165 |
|
Eight Views of Edo Figures (Edo sugata hakkei) |
circa 1840 |
[Forrer], G280 |
|
Untitled series on the twelve months |
early 1840's |
[Forrer], G277-279 |
|
Collection of Pictures to the Hundred Poems by One Poet Each
(Hyakkunin isshu kaisho) |
circa 1843-1845 |
[VanGogh], 174
[VanVleck], pp. 253 |
|
A Choice of Five Colors from the Floating World (Ukiyo goshoku awase) |
circa 1843-1845 |
[VanGogh], 176 |
|
An untitled series of portraits of women, many with musical instruments |
circa 1843-1845 |
[VanGogh], 178-179 |
|
Ten Celestial Stems (Jikan eto no uchi) |
circa 1843-1846 |
[VanGogh], 182 |
|
A Selection of Fans with Eight Views Along the Sumida River
(Ogi awase Sumidagawa hakkei) |
circa 1843-1846 |
[VanGogh], 186 |
|
Elegant Pictures of Snow, Moon and Flowers (Furyu setsegekka)
| 1844 |
[Forrer], G287 |
|
Untitled series on the six crystal rivers |
1844 |
[Forrer], G292 |
|
The Five Festivals (Gosekku no uchi) |
1844 |
[Forrer], G302
[VanVleck], pp. 253 |
|
Untitled series on the theme of snow, moon and flowers |
circa 1844-1845 |
[Forrer], G296-297 |
|
Eight Views of Edo (Edo hakkei no uchi) |
circa 1844-1845 |
[Forrer], G300 |
|
Festivals of the Year in the Floating World (Ukiyo nenju gyoji) |
circa 1844-1845 |
[Forrer], G301
[VanGogh], 186 |
|
Shadow Pictures of an Auspicious Age (Arigataki miyo no kage-e) |
circa 1844-1845 |
[Izzard], 75 |
|
Contemporary Stripes Woven to Order |
circa 1844-1845 |
[Izzard], 76 |
|
Untitled series of half-length actors in front of fabrics |
circa 1844-1845 |
[Izzard], 76 |
100 |
Untitled set of women compared to the one hundred poems
[Possibly the same as
this series] |
circa 1844-1846 |
[Izzard], 77 |
|
The Wife of Yoshitomo, Head of the Left Horse (Sama no kami Yoshitomo
no sai) |
circa 1845 |
[VanGogh], 180 |
8 #1 |
Fifty-three Parallels for the Tokaido (Tokaido gojusan tsui)
(With Hiroshige and Kuniyoshi) |
circa 1845-1846 |
|
14 #2 |
Ogura Imitations of the One Hundred Poets [Ornamental Papers Patterned
After the Hundred Poets] (Ogura nazorae Hyakunin isshu)
(With Hiroshige and Kuniyoshi) |
circa 1845-1847 |
|
|
Famous Places in Edo Combined with Poems (Edo meisho hokku awase
no ochi) |
circa 1846 |
[Forrer], G293-295 |
|
Untitled series on the twelve months |
circa 1847-1848 |
[Forrer], G304-305 |
|
Flowers, Birds, Wind and Moon (Kachofugetsu no uchi) |
circa 1847-1848 |
[Forrer], G317
[VanVleck], pp. 255 |
|
An untitled series of portraits of women with a gengimon background |
circa 1847-1848 |
[VanGogh], 188-189 |
20+ |
A Mad Arrangement of Haiku Poets in Portrait and Writing
(Haika Shoga Kyodai) |
circa 1847-1848 |
[Rappard], 154-156 |
|
Eight Views of the Southern Capital (Nanto hakkei no uchi) |
circa 1848 |
[Forrer], G314 |
|
Modern Views of Flowers, Birds, Wind and Moon (Jisei kachofugetsu) |
circa 1848-1850 |
[Forrer], G310 |
|
A Mirror of Past and Present Examples of Loyalty and Filial Piety
(Konjaku Chuko kogami) |
late 1840's |
[Tinios], C12 |
|
Pictures of Famous Unusual Women of Edo (Edo mei-ijo zue) |
circa 1849-1853 |
[VanGogh], 166 |
|
Six Choices of Summer Among the Night Trades (Yoaki nai rokkasen) |
circa 1849-1853 |
[VanGogh], 192 |
|
A Selection of Flowers for the Five Festivals (Gosechi no hana awase) |
circa 1849-1853 |
[VanGogh], 206-207 |
|
Eastern Pictures of Edo Purple (Edo murasaki azuma no utsushie) |
circa 1850 |
[VanVleck], pp. 254 |
|
Eastern Pictures with a Stylish Shrine Page (Heza sugata azuma no
utsushie) |
circa 1850 |
[VanVleck], pp. 254 |
|
Snow, Moon and Flowers (Setsugekka no uchi)
| circa 1850 |
[VanVleck], pp. 256 |
|
The Four Seasons (Shiki no uchi) |
circa 1851 |
[Izzard], 84 |
138 |
[Actors at the] [Between the] Fifty-Three Stations of the Tokaido
([Yakusha mitate] Tokaido gojusan-tsugi no uchi [kan]) |
1852 |
[Izzard], 89
[Tinios], 24
[Rappard], 158-159 |
|
Views of Famous Places in Edo (Edo meisho zue) |
1852 |
[VanGogh], 221 |
|
Sixty-Odd Provinces of Great Japan (Dai Nippon Rokujuyoshu) |
1852 |
|
The Sixty-Nine Stations of the Kiso [Highway] (Kiso rokujukyu eki) |
1852 |
[Izzard], 90
[Tinios], C13 |
|
An Imaginary Thirty-Six Poets (Mitate sanjurokkasen no uchi) |
1852 |
[Izzard], 91
[VanVleck], pp. 257 |
|
Faithful Depictions of the Figure of the Shining Prince (Sono Sugata
Hikaru no Utsushi-e) |
1852 |
[Rappard], 160 |
|
Fifty-Four Chapters of Edo Purple (Edo Murasaki Gojuyon Cho) |
1852 |
|
49 |
A Set of Famous Restaurants in the Eastern Capital (Toto Komei Kaitei
Tsukushi) {With Hiroshige} |
1852-1853 |
[Rappard], 169-172 |
|
Co-work on the Tale of Genji (Furyu Genji Eawase) {With Hiroshige} |
1853 |
[NarazakiIII], C25 |
|
Combined Landscapes and Stage Scenes of the Fifty-Three Post Stations
of the Tokaido {With Gyosai and Yoshimori} |
1853 |
[NarazakiIII], C27-C32 |
|
A Comparison of Purple Appearances of Edo (Edo Murasaki sugata kisoi) |
1854 |
[VanGogh], 222 |
12 x 3 |
The Twelve Months (Junigatsu no uchi) |
1854 |
[VanGogh], 237-239 |
|
Six Crystal Rivers |
1854 |
[VanGogh], 223-224, 240? |
|
An untitled set of illustrations of chapters of the Tale of Genji |
1854 |
[VanVleck], pp. 257 |
|
The Fifty-Three Stations [of the Tokaido] by [from] Two Brushes
(So-hitsu Gojusan-tsugi) {With Hiroshige} |
1854-1855 |
[Rappard], 174-177
[VanVleck], pp. 53-54
[Tinios], 22 |
|
Eight Views of Lake Biwa (Omi hakkei no uchi) |
1855 |
[VanGogh], 249 |
|
Untitled series of portraits of actors with inset circular
panels of other actors |
1855-1857 |
|
|
Famous Places in Edo and One Hundred Beautiful Women (Edo meisho hyakunin
bijo) |
1857-1858 |
[VanGogh], 258-259
[Izzard], 94 |
|
[Contemporary Allegory] An Up-to-Date Parody of the Four Classes
(Imayo mitate shi-no-ko-sho) |
1857 |
[Forrer], G318
[Izzard], 93 |
|
Murasaki's Hand-Printed Ashikaga Pictures of the Twelve Months (Ashikaga
ginu tezome no Murasaki junigatsu no uchi)
|
1858 |
[VanGogh], 263-264
[VanVleck], pp. 258 |
|
Genji Compared with an Imaginary Eight Views (Genji mitate hakkei
no uchi) |
1858 |
[Izzard], 85, pp. 34 |
|
Poems for the Four Seasons (Tosei shiki no nagame) |
1858 |
[VanVleck], pp. 257 |
|
The Fifty-Four Chapters of Genji (Genji goju yojo [hattan]) |
1858-1859 |
[VanGogh], 279
[Izzard], 86
[NarazakiIII], 16 |
|
Matching Pictures with the Chushingura (Chushingura e-kyodai) |
1859 |
[VanGogh], 267-269 |
|
The Modern Thirty-Two Types (Imayo sanjuni so) |
1859 |
[Izzard], 95 |
|
Fashionable Mirror Reflections (Imayo oshi e-kagami) |
1859 |
[VanGogh], 272-274 |
|
Records of Famous Women From All Ages (Kokin meifu den) |
1859 |
[VanGogh], 275-276 |
|
Twelve Months of the Fashionable Genji (Imayo Genji junigatsu
no uchi) |
1859 |
[VanGogh], 278 |
|
Tale of Genji Joint Work (Gappitsu Genji) {With Hiroshige II} |
1859 |
[NarazakiIII], C26 |
18 known |
Actors in Mirrors in Raised Picture Style |
1859-1861 |
[NarazakiIII], C33-36 |
|
Toyokuni's Caricatures (Toyokuni manga zue) |
1860 |
[Izzard], 97 |
|
Untitled series of actor portraits [often referred to as "Famous Kabuki
Actors Past and Present (Konjaku kabuki meiyu)] |
1860-1865 (some issued posthumously) |
[Izzard], 96, pp. 39
[Tinios], C16, 25, 27 |
|
Untitled series of actors backstage |
1861 |
[Izzard], 98 |
12 x 3 |
A Modern Genji During the Twelve Months (Imayo Genji Junikagetsu
no uchi) |
1861 |
[Rappard], 166 |
|
A Selection of Old and New from a Modern Genji (Imayo Genji
ronyaku awase) {With Hiroshige II} |
1862 |
[VanGogh], 291 |
|
Modern Parodies of the Thirty-Six Flowers (Tosei mitate
sanjurokkassen) |
1862 |
[VanGogh], 292 |
|
From the Four Seasons (Shiki no uchi) |
1862 |
[VanGogh], 294 |
|
Legends of Famous Women of All Ages [Lives of Famous Women of the Past
and Present] (Kokin meifu den) |
1862 |
[VanGogh], 296
[VanVleck], pp. 258 |
|
Famous Places on the Tokaido (Tokaido Meisho no Uchi) (With Yoshitoshi,
Kunisada II, Hiroshige II, and Kyosai) |
1863 |
|
|
Toyokuni's Drawings - A Magic Contest (Toyokuni kigo - kijitsu kurabe) |
1864 |
[Tinios], C15 |
|
Thirty-Six Views of the Pride of Edo {With Hiroshige II} |
1864 |
[Rappard], 178 |